In this lesson you'll learn how to use the Piano Transformation Practice Plan™.
In these live session I answered student questions.
In this lesson you'll learn how to play the bassline in C minor along with chords in the right hand.
In this lesson we are going to focus on filling out our R7 and R3 chord shells by adding more notes to our right hand.
In this lesson we will work on creating simple bass lines for accompaniment and adding chords in the right hand.
In this lesson we are going to learn the entire 12-bar advanced blues form along with chords and comping.
In this lesson we will add some melody and licks to the right hand over our 12-bar blues progression.
In this lesson we will now use chord arpeggios to expand our improvisation.
In this lesson we are going to begin targeting chord tones in both our voicings and improvisation.
In this lesson you'll learn how to put together all of the techniques from previous lessons in this course to create your very own blues jam with improvisation!
In this lesson you'll learn how to use neighbor tones to create a bebop sound in your improvisation lines.
In this lesson you'll learn the scales needed for improvisation over "Beautiful Love."
In this lesson we will work on the bass line in the key of B minor.
In this lesson you'll learn how to target your guide tones (3rd and 7th) to create a more cohesive solo.
In this lesson we will work on the bass line in the key of C minor.
In this lesson we will move away from the blues and instead focus on the classic jazz standard "Beautiful Love." You'll learn the progression and how to form rootless chords to get a more advanced sound.
In this lesson we are going to focus on R7 and R3 chord shells over dominant seventh chords. We will also work through a pentatonic scale exercise.
By mixing chord tones and arpeggios, this lesson will show you how to create more focus in your improvisation by utilizing guide tones and chord tones.
You'll learn how to use grace notes and double stops to add a bluesy "gritty" sound to your improvisation. This gives you that classic blues piano improvisation sound.
In this lesson you'll learn how to use and practice chord arpeggios for improvisation.
In this lesson we are going to focus on how to accompany yourself in a jazz style. We will cover three different accompaniment ideas for you to use while singing or while accompanying a singer.
In this exercise we will learn the 12-bar blues progression and learn how to create a bassline that we will later improvise over.
In this lesson we are going to focus on how to accompany yourself in a rock/pop style. We will cover accompaniment while playing the melody or while singing or accompanying a singer.
In this second part I'll show you 4 more rhythm patterns and how to apply them to a simple progression. We will also learn how to "tweak" the patterns to fit different drum grooves and how to derive inspiration using drum grooves.
In this lesson we're going to learn Stevie Wonder's hit "You Are the Sunshine of My Life." This song features some exciting jazz devices such as the use of the whole-tone scale and a modulation.
In this lesson we will learn a popular jazz standard by a famous bossa nova musician and composer - Desafinado by Antonio Carlos Jobim. We will learn how to create a bossa nova bassline in the left hand, a simple harmonization technique for the melody, and some advanced reharmonization approaches in select spots. We'll also revisit some drop-2 voicings and block chord techniques.
In this lesson we'll be learning the jazz-funk classic "Ain't No Sunshine" by Bill Withers. We will be learning and applying various jazz techniques - such as drop-2 voicings and reharmonization - in order to create a new, professional-sounding solo piano arrangement.
In this lesson we will be learning a quintessential jazz standard by one of the most famous musicians in jazz - 'Round Midnight by Thelonious Monk. We'll be examining a very specific solo piano recording by Thelonious Monk himself and learning a modified transcription of the piece. This lesson will demonstrate how Monk himself uses chord shells extensively in his left hand, his use of stride, and his use of chord tones to improvise and embellish the melody.
This lesson features a classic multi-generational tune that fits well in both the pop and jazz styles. The arrangement uses an easy approach on the verse featuring arpeggios, and a more advanced approach on the chorus that features larger, denser chord voicings.
This lesson features one of the greatest and most-covered songs of all-time. "Sunny" was written by Bobby Hebb 60 years ago and has been recorded by Stevie Wonder, Duke Ellington, Ella Fitzgerald, Frank Sinatra, Billy Preston, George Benson, and so many other jazz and funk musicians. It's popularity makes it a great addition to your solo piano repertoire. This lesson features a discussion about improvisation, modulation, and even some "spy" movie music.
This lesson features a classic pop-funk tune that is often played in the jazz repertoire. The song features a 4-measure chord progression that repeats throughout the intro, verse, and chorus. An interlude, which uses different chords, is also part of the form. Despite the repeating chord cycle of the song, the intro, verse, and chorus all sound distinct from one another. We will discuss how these cyclical chords are made to sound different as you enter various sections of the song.
This lesson features a classic jazz ballad popularized by the great jazz singer Tony Bennett. We will investigate how to effectively play a jazz ballad, including some specific piano tips, a simple yet effective introduction technique that uses the augmented triad, a beautiful ending that borrows from a different jazz standard, and some very large (but also simple) chords.
This lesson features a song by one of the most famous folk singer-songwriters of all time, James Taylor. A beautiful piece that is familiar to a large audience, this solo piano arrangement uses simple voicings and chords to achieve an advanced sound.
In this lesson we focus on a classic Stevie Wonder recording. This popular song uses many "jazz" chords and voicings despite the fact that it is undeniably a pop song. Specifically, we will encounter many augmented chords, and minor chords that use a descending chromatic bass line.
In this lesson we will learn a famous jazz standard written by a great jazz pianist, George Shearing. We will treat each 'A' section differently (3 in total) so that you have the option of learning all or some of the arrangement while still being able to play the complete song. We will cover some intermediate to advanced topics including "locked hands" voicings when harmonizing the melody, drop-2 voicings, modified stride playing, and even a bit of bebop improvisation.
This lesson features one of the most classic and recognizable pieces of piano repertoire of all time. The piece, by Vince Guaraldi from "A Charlie Brown Christmas," has become a regular Christmas standard. In this lesson we'll focus on the musical element of form. Although long when notated, the entire piece centers around only 3 sections which are relatively short. By understanding the form, you learn to condense the song into small parts that are repeated in a particular order.
In this exercise we will work on a new approach to improvisation using triads and triad arpeggios over minor chords.
Rhythm is perhaps the most important aspect of creating good accompaniments. In this lesson I'll show you 4 different rhythm patterns and how to apply them to a simple progression. We will also learn how to "tweak" the patterns to fit different drum grooves.
In this exercise we will work on a smooth jazz / funk improvisation groove using the dorian scale. You'll learn how to create and transpose sequences for your solos.
Quick reference for the key of F Sharp. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of D Flat. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of B. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference tips with a practice checklist. Learn WHAT to practice and for HOW long.
Quick reference for the key of E Flat. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of A Flat. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
A big part of accompanying yourself or others is knowing how to play in different styles. We will be covering accompaniment patterns for 7 styles in this lesson: Rock, Ballad, Country 2-Feel, Latin, Shuffle, Swing and Four-to-the-floor "Gypsy Jazz."
Quick reference for the key of B Flat. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of F. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of E. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.
Quick reference for the key of A. Learn your major scale, triads, seventh chords, rootless chords and 2-5-1 progression in both major and minor keys.