In this lesson we are going to focus on how to accompany yourself in a jazz style. We will cover three different accompaniment ideas for you to use while singing or while accompanying a singer.

In this lesson we are going to focus on how to accompany yourself in a rock/pop style. We will cover accompaniment while playing the melody or while singing or accompanying a singer.

In this second part I'll show you 4 more rhythm patterns and how to apply them to a simple progression. We will also learn how to "tweak" the patterns to fit different drum grooves and how to derive inspiration using drum grooves.

Rhythm is perhaps the most important aspect of creating good accompaniments. In this lesson I'll show you 4 different rhythm patterns and how to apply them to a simple progression. We will also learn how to "tweak" the patterns to fit different drum grooves.

A big part of accompanying yourself or others is knowing how to play in different styles. We will be covering accompaniment patterns for 7 styles in this lesson: Rock, Ballad, Country 2-Feel, Latin, Shuffle, Swing and Four-to-the-floor "Gypsy Jazz."

If you want to accompany yourself while singing, this lesson is a must! In this lesson I'll show you different ways to master your chords using random progressions and pulling accompaniments from PACE exercises.

In this lesson we are going to take the first part of the Beatle's song 'Let It Be' to demonstrate numerous ways of creating interesting arrangements. I'll also show you how to use material from the Chord Essentials course in your accompaniments.

In this lesson I'll show you how to add fills WITHIN the chords of your arrangement, not just at the ends of sections.

In this lesson we will be learning how to create fluidity between the hands to create a richer, more fluid sound in your accompaniments.

In this lesson we will be learning how to add fills in our right hand. This is especially useful for when there is a pause in the melody. Got a measure of space you want to fill? This is the lesson that shows you how.

In this lesson we will be learning about chord tensions and how to create flow between the hands.

In this lesson we will be learning how to move between triads and seventh chords smoothly. We will be covering several 16th-note patterns as well.

In this lesson we will be covering seventh chords and their inversions. We will also review slash chords and talk about some more advanced rhythmic patterns in the inspiration section.

In this lesson we will be covering slash chords and broken triad patterns. The inspiration section shows you some advanced 16th-note patterns for hand collaboration.

In this first PACE lesson we will be covering triads and inversions. We start in a rock style and over the next several weeks shift toward jazz and blues chords. Each lesson has three patterns to practice along with an inspiration lesson for more advanced ideas to try.

In this first standard, you'll be learning the Henry Mancini classic "The Days of Wine and Roses." Be sure to watch "How the course works" to learn how best to use this course.

In this lesson you'll learn 6 different accompaniment patterns to use for your slow blues improv and compositions.

In this lesson you'll learn different techniques to add motion to your left hand along with groove and bassline approach exercises.

In this lesson you'll learn how to master your chords using this simple randomization technique.

In this lesson, you'll learn three critical aspects of improvisation: Accompaniment, Rhythm and Licks. By combining together these three elements, you'll see how anyone can improvise...even if you have never done it before!

Next 10 piano challenges.

In this lesson, you'll learn my 8-Steps To Improvisation method which includes: 1. Target Notes, 2. Chord Tones, 3. Scales, 4. Activating the Left Hand, 5. Neighbor Tones / Enclosures, 6. U.S.T. and Advanced Scales, 7. Rhythm / Syncopation, 8. Reharmonization.

Next 10 piano challenges.

This lesson puts you IN THE STUDIO! You’ve just been asked to play on a recording session which will feature a new smooth jazz/funk song entitled “Downtown Funk.” The producer has sent you the sheet music and the track in advance of the gig. You will learn all of the necessary preparation: understanding how to read the chart and why it is so different from reading classical music; how to work and count through difficult rhythms; how to interpret and build great-sounding chords; how to practice the tune; scales you can use to solo over the chords; how to select your sounds and what is meant by the expression “splitting your keyboard.” This lesson is packed with in-depth explanations and has everything you need to get ready to jam along with this great track!

In this lesson you will be shown 6 different funky chord progressions, each 2-4 measures in length in varying keys. In each groove, the instructor will highlight 5 various points: (1) How to build the chords; (2) How to understand the rhythm and work with the metronome; (3) How to play along with the provided jam track; (4) Variations of the chords and progression for further exploration; and (5) Scales that you can use for soloing over the progression.

From the opening introductory melody, this piano hit is instantly recognized by everyone. Learn this tune by studying the 5 component sections: intro, verse, bridge, chorus, and interlude. Also study the specific comping concepts that Elton John is using when he accompanies himself on this tune.

A great lesson for anyone wanting to accompany themselves or others while singing. This lesson is also great if you want to get better at comping chords. I've broken the lesson into three concepts to focus on: Introductions, Endings and Comping.

In this lesson we will build on the blues concepts we have already studied with the goal being to create an entire blues arrangement. You will learn a right-hand part, left-hand shell voicings, and a standard jazz ending, as well as study the skill of transposition and play along with some great jam tracks.

In this lesson you are going to be using chord substitutions in a 12 bar blues form to create a full blues "song" with bassline.

In this lesson we will learn how to improvise over the song Do'h blues. This is a great introduction to improvisation.

In this massive 12-part lesson I'll show you how to create and improvise over arrangements in different styles. We will also cover some advanced improvisation tips and comping techniques you must know!

In this lesson we will learn how to play a simple arrangement of It’s Only A Paper Moon using chord shells and bass line concepts.

Smooth jazz version of “Sunny” written by Bobby Hebb. In this lesson you'l learn how to create big, rich
two-hand chord voicings that groove so hard over a smooth jazz feel.

Putting Chords to a Simple Melody. For this lesson we will be using the melody of “Early One Morning” and learning how to put chords to the arrangement. These techniques work if you want to apply chords to a pop or rock melody as well.

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of G

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of F#

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of A

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of Ab

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of Bb

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of B

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of D

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of Db

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of E

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of Eb

10 examples in a variety of styles to help you learn your chords, comping, styles and rhythms in the key of C.

Day 21-30 of the 30-Day Piano Playbook. These lessons will be more difficult than days 1-20 by design to help you find your playing level.

This is where the “rubber meets the road.” It’s game time. In this session you will be playing along with the band…LIVE! Don’t worry, we will go slow and I’ll be there to guide you every step of the way. If you’ve worked through the “This Can’t Be Love” Piano Melody And Comping lesson, you’ll definitely want to put your skills to the test in this live band session.

Learn how to use arpeggios over 2-5-1 progressions to create beautiful introductions and endings.

This up-tempo Rogers/Hart jazz piano classic will get your toes tapping and is great for the intermediate or more advanced player. If you’ve gone through my Step-By-Step Standards series, then you’re ready for this lesson. Inside, you’ll learn rootless voicings along with comping techniques to get you ready for playing with the band!

In this course you’ll learn how to comp in both a solo and group setting. If you’ve wondered how to get a fuller sound with your left-hand accompaniment, this lesson will give you techniques that you’ll use for years to come. This first lesson focuses on ballad and oom-pah / stride styles.